Free AI prompts.

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I'm going to feed one photo to a 3D world generator. It rebuilds a whole space from a single viewpoint, it holds together for about three to five metres before the detail falls apart, and the edges dissolve into mist rather than stopping. I get four free generations, so I'd rather not waste one. Here's the photo. 1. Tell me what this photo actually hands the model: what's in the foreground, what's in the midground, what's in the distance, and roughly how far away each layer is. If it's flat — one subject against one backdrop — say that plainly. 2. Score it out of 10 as world material and give me the single sentence behind the score. Depth beats prettiness here, so if the pretty photo is the flat one, say so. 3. Name what will break. Be specific: people and animals that will smear, glass and reflections the model has to invent, motion blur, a blown-out sky with no information in it, a subject so close it hides the space behind it. 4. Tell me where the viewer is standing when this world opens, and what they see if they walk three metres in any direction. That is the entire experience — describe it as a place, not as a picture. 5. If it scores 6 or below, tell me what to shoot instead. Same location if I can go back: where to stand, how wide, what to put in the foreground. One or two sentences. 6. Last: if I've shown you more than one photo, tell me which is the better candidate and why. If I've only shown you one, tell me what to go looking for in my camera roll. Be blunt. A generous score costs me a generation.

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SHOT 1 — 5 seconds The masked character crouches on the edge of a rooftop ledge at [TIME OF DAY], one gloved hand planted on the concrete, head turning slowly to face camera. Slow cinematic push-in from a low angle. Wind moves the fabric of the suit. City skyline behind, shallow depth of field, distant lights thrown out of focus. Nothing in frame moves except the head turn and the fabric. Photorealistic, cinematic colour grade, anamorphic 35mm look, natural motion blur. SHOT 2 — 15 seconds The masked character launches from the rooftop edge into open air and drops, then a line catches and carries them into a long swinging arc between two [CITY] towers. The camera flies alongside in one continuous tracking shot, matching the arc, streets and traffic rushing past far below. At the top of the arc the character releases, tucks into a forward roll through the air, fires a second line and swings back in toward camera, passing close to frame before pulling away. One continuous unbroken shot, no cuts, no scene changes. Stabilised drone feel with slight natural sway. Photorealistic, cinematic colour grade, low sun flaring between the buildings, natural motion blur on the fast passes. NEGATIVE — paste into the negative field on both shots no cuts, no scene changes, no jump to a different location, no text, no watermark, no logos, no extra people, no duplicate figures, no distorted anatomy, no extra limbs, no morphing or colour-shifting suit, no cape, no camera teleporting, no slideshow of still frames

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Here is what I am trying to build: ___ Fan Shisan's famous shot — ten thousand swords hanging in the air at once — was real swords on steel wire and bamboo poles, filmed in 2024. The drone version he flies today is about thirty. He built the thing that LOOKED like the finished product years before he could build the finished product, and the looking is what paid for the building. Work out that order for mine. 1. Name the one moment that makes someone care about this. Not a feature list — the single thing they would describe to someone else afterwards. If I have given you three, pick one and say why the other two are support. 2. Split the build into the parts that must genuinely work on day one and the parts I am allowed to rig. Be specific about the rig: "the data is a spreadsheet I update myself on Sunday nights", not "mock the backend". 3. For each rigged part, tell me what it looks like when someone notices — because they will. Say whether that reads as an early version or as a lie, and if it reads as a lie, tell me what to say on the page instead. 4. Give me the replacement order: which rigged part I swap for a real one first, and what has to be true before it is worth doing. The trigger is a number or an event, never "when I have time". 5. Tell me which rigged part I will be tempted to keep forever, and what it costs me if I do. 6. Last: name the part I think is essential that nobody outside would notice was missing. Cut it from version one. Then stop. No code until I have told you which moment from step 1 is the right one.

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Here are five things people install to make Claude Code cheaper, faster and less forgetful: 1. OmniRoute — a local proxy that falls back across other providers when you hit a limit 2. Claude Mem — captures each session and injects the relevant parts into the next one 3. Headroom — compresses tool output and file reads before they reach the model 4. Claude Code Setup — Anthropic's own skill: reads your repo and names the hooks, skills, MCP servers and subagents you're missing 5. Task Observer — watches a session and logs what was worth turning into a skill Don't install anything. Work out which of these I'd actually use. 1. Read this project and tell me what my sessions here probably look like — how big the files are, how much tool output a normal task drags in, whether there's a CLAUDE.md and whether it's any good. 2. For each of the five, name the specific problem in MY setup it would solve. If you can't point at one, write "no problem here" and move on. Don't soften it to be helpful. 3. Tell me which two overlap. Two of these want to be the thing my agent routes through, and running both is not twice as good. 4. Rank whatever survives by what it costs me to try — install time, a sign-in, a subscription, a runtime I don't already have. 5. Last: name the one change to this repo that would beat all five. It's usually a file I could write in ten minutes. Then stop. No install commands until I've picked one.

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Here's what I want to see on one screen: ___ Osiris looks like a government intelligence terminal. It's a Next.js app wiring public feeds — flights from OpenSky, fires from NASA, quakes from USGS, cameras from highway departments — into one map. The look was the cheap part. The wiring was the work. Do the same for mine. 1. First ask me what decision this screen would change, and wait for my answer. If I can't name a decision, tell me that and stop. 2. Find the feeds. For each one: who publishes it, the exact URL, whether it needs a key, whether that key is free, and how often the data really updates — not how often I could poll it. If you aren't certain a feed exists, write "unverified" next to it rather than inventing a URL that looks right. 3. Tell me what ISN'T available for free, and the nearest honest substitute. The piece I can't get is usually the piece I was counting on. 4. Design the smallest screen that answers my question. One line per element, and the reason it earns its space. Cut anything that's only there to look impressive. 5. Give me the build order — what to wire up first so I have something ugly and working today, then what to add second and third. 6. Last: which feed would break my screen if it went down tomorrow, and what should the page show instead of an error? Then stop and wait. No code until I've picked a feed.

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Here's the problem I'm stuck on: ___ OpenAI pointed 10,000 agents at a maths problem for 88 hours. That only worked because of Lean — a checker that says "this step is valid" or "this step is not", with no opinion involved. Where there is a checker, 10,000 wrong attempts cost nothing. Where there isn't, one attempt is already too many to trust. Do that split on my problem. 1. Restate what I'm actually trying to produce, in one sentence, as a thing that either exists or doesn't at the end. 2. Split it into the parts something OTHER THAN ME could check — right or wrong, verdict returned without me arguing for it — and the parts where the only judge is taste, a customer, or time. 3. For each checkable part: name the checker. The exact test, script, spreadsheet total, real reply, or side-by-side that returns the verdict. If I'd have to build the checker first, say how long that takes. 4. For each uncheckable part: what's the smallest real-world test that would turn it into a checkable one — and what would I have to accept as a "no"? 5. Now tell me where to spend volume. On the checkable parts, how many attempts should I run before I look at any of them? On the rest, explain why more attempts would only make me more confident, not more right. 6. Finish with the one part where I've been quietly using my own opinion as the checker. Say it plainly. No motivational framing. Every line has to name something I actually described.

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Here's what I sell, and where the buying actually happens: ___ A retail camera system counts the people who pick something up, hesitate, and put it back. Nobody in that shop ever says "too expensive" out loud. The camera counts them anyway. I want that, without the camera. 1. Walk my buying process end to end and mark every point where a person can quietly leave. Name the exact moment, not the stage. 2. For each one, write the sentence they would have said if they were the type to say it. One line, in their words, not mine. 3. Now the useful part. For each of those, is there ALREADY a record of it somewhere I'm not looking? Name the specific place — the replies I never got, the abandoned checkouts, the people who asked the price and went quiet, the ones who come back three times and never book. Then say which ones I'd have to start counting from scratch. 4. Pick the single silent no that is both the most common and the cheapest to count. Tell me exactly what to write down, where to put it, and how many weeks before the number means anything. 5. Before I collect any of it: what number would make me change something, and what would I change? Write both down now, so I can't explain the number away later. 6. Last, the sign test. If the person I'm counting could read my notes, what would I have needed to tell them first? Write that sentence in plain language. No dashboards, no new software. Everything you suggest has to work with what I already have open.

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Here's what I'm building or already sell: ___ A New Zealand company replaced physical fencing with a collar. Farmers draw a boundary in an app and cows are guided by sound. But the fence is not the business — every collar sends 6,000 data points a minute, so the company now knows the health, grazing and breeding state of two million animals. The fence was the wedge. The data is what compounds. Do that split for me. 1. Name the WEDGE: the single obvious thing someone would pay for today, described in one sentence a customer would recognise. 2. Name the EXHAUST: everything my product would learn, record or accumulate as a by-product of doing that job. Be literal — logs, timings, corrections, choices, failures, the things people type in. 3. For each item of exhaust: does it get more valuable as it piles up, or is it just storage? Say which, and why. 4. Take the ones that compound. What could I build or sell in two years that is impossible for someone starting from zero, because they don't have that pile? 5. Then the honest check: what am I assuming customers will let me collect, and what would I have to say out loud for that to be fair? Don't give me a data-strategy essay. Every answer names something specific to what I described.

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Here's what I make or run: ___ Musk is spending billions on a chip factory not to enter the chip business, but because his companies stop working without the chips. Run that same analysis for me, at my scale. 1. List every external thing I depend on to deliver: models, APIs, platforms, tools, payment rails, distribution channels, and any single person who knows something nobody else does. Include the ones that feel too boring or too reliable to bother listing. 2. For each one: what happens if it doubles in price tomorrow? If it gets rate-limited? If it's discontinued with 30 days' notice? 3. Rank them by how fast I'd be dead — not by how likely the failure is. Likelihood is a guess. Time-to-dead is arithmetic. 4. For the top three, give me the cheapest thing I could do THIS MONTH that buys me time: a second supplier, an export, a cached copy, a contract, a skill I learn. 5. Name the one dependency where the honest answer is "there is no alternative", and tell me what that should change about how I plan. No generic risk-register language. Every line has to name something I actually said.

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When I send a message starting with a forward slash, treat it as a shortcode for an image brief. Interpret the code, expand it into a full image prompt, apply it to whatever subject I've described or uploaded, and generate the image. Don't ask me to confirm — just build it. Case doesn't matter. Codes stack: if I send several, apply all of them. If I add words after a code, treat those as overrides. These codes describe HOW the image should look, not what it's of — so the subject is always whatever I gave you last unless I name a new one. FRAMING & COMPOSITION /extreme wide — subject tiny in a vast frame /wide shot — full body with room to breathe /medium shot — waist up, conversational distance /close up — head and shoulders fill the frame /extreme close up — a single feature fills the frame /macro — closer than the eye can focus, texture level /over the shoulder — framed past someone's shoulder /pov — first person, as if through my own eyes /dutch angle — camera tilted off horizontal /worms eye — from ground level looking up /birds eye — high above looking down /overhead — perfectly above, flat and square /low angle — below the eye line, subject looms /high angle — above the eye line, subject diminished /centred — dead-centre symmetry /rule of thirds — subject on a third line /golden spiral — composed along a spiral /negative space — mostly empty, subject small and offset /tight crop — cropped hard, edges cutting the subject /full bleed — subject running off every edge /framed within — shot through a doorway, window or arch /leading lines — lines pulling the eye to the subject /foreground blur — something out of focus across the front /split frame — two halves, two states CAMERA & LENS /wide lens — 24mm, expansive with edge stretch /nifty fifty — 50mm, close to how the eye sees it /portrait lens — 85mm, flattering compression /telephoto — 200mm, flattened distance, tight background /fisheye — extreme barrel distortion, curved horizon /tilt shift — selective plane of focus, miniature effect /anamorphic — 2.39:1 with horizontal flare /shallow depth — f/1.4, background dissolved /deep focus — f/16, sharp front to back /bokeh balls — round out-of-focus highlights behind /lens flare — sun streaking across the glass /chromatic fringe — colour fringing on high-contrast edges /vignette — corners falling into shadow /motion blur — subject smeared by movement /panning shot — sharp subject, streaked background /long exposure — light trails and smooth water /freeze frame — 1/4000s, every droplet stopped /double exposure — two images overlaid in one frame /handheld — slight tilt and imperfection, human /tripod locked — perfectly level and still /drone — high aerial, landscape receding /security cam — grainy fixed overhead with timestamp /microscope — cellular scale, scientific /x ray — internal structure, translucent LIGHTING /golden hour — low warm sun, long shadows /blue hour — deep blue twilight, artificial lights on /high noon — hard overhead sun, short black shadows /overcast — flat soft grey, no shadow edges /backlit — light behind, subject edged in glow /rim light — thin bright outline against the dark /silhouette — subject fully dark against a bright ground /rembrandt — one side lit, small triangle on the cheek /split light — half the face lit, half in shadow /butterfly light — light straight on, small shadow under the nose /loop light — soft key just off axis /hard light — single bare source, crisp shadow edges /soft box — big diffused source, gentle falloff /window light — daylight through a single window /candlelight — small warm flickering source /firelight — orange glow from below /neon — coloured tube light, magenta and cyan /practical lights — lamps and signs inside the frame doing the work /god rays — visible shafts of light through dust or trees /underlight — lit from below, unsettling /top light — harsh light from directly overhead /bounce fill — soft light returned into the shadows /gel wash — one saturated colour across the whole scene /two tone light — warm key one side, cool the other /spotlight — single pool of light, everything else black /available light — nothing added, whatever's already there COLOUR & GRADE /monochrome — a single hue throughout /black and white — no colour, tone only /high key — bright, airy, almost no shadow /low key — dark, dominated by shadow /teal and orange — blockbuster complementary grade /pastel — desaturated soft tints /neon palette — electric saturated colour on black /earth tones — ochre, clay, moss, sand /jewel tones — deep emerald, sapphire, ruby /muted — desaturated, restrained, quiet /oversaturated — colour pushed past natural /duotone — two colours only, mapped to light and dark /split tone — warm highlights, cool shadows /sepia — warm brown wash /faded — lifted blacks, washed contrast /crushed blacks — deep contrast, no shadow detail /bleach bypass — high contrast, drained colour /cross processed — shifted, unnatural colour casts /infrared — foliage white, sky black /single accent — greyscale with one colour left in /warm cast — everything pushed amber /cool cast — everything pushed blue FILM, PRINT & PROCESS /35mm film — visible grain, natural colour /medium format — large negative, extraordinary detail /large format — sheet film, shallow plane, tack sharp /polaroid — instant film, white border, soft corners /kodachrome — rich mid-century slide film colour /portra — soft warm skin tones /ektachrome — cool clean slide film /cinestill — halated red glow around light sources /tri x — punchy black and white grain /hp5 — classic documentary black and white /expired film — colour shifts and blotches /light leak — orange streak burning in from an edge /halftone — printed dot pattern /riso print — misregistered layers, fluorescent inks /screen print — flat inks, slight offset, visible texture /letterpress — type impressed into thick paper /newsprint — coarse dots on cheap grey paper /cyanotype — blueprint-blue photogram /daguerreotype — mirrored silver plate, earliest photography /tintype — wet plate, dark and scratched /xerox — degraded photocopy, high contrast /scanned print — dust, scratches and paper texture ART MOVEMENTS & MEDIA /oil painting — visible brushwork and impasto /watercolour — bleeding washes and paper grain /gouache — flat opaque matte paint /ink wash — brush and black ink, tonal /pen and ink — cross-hatched line drawing /pencil sketch — graphite with construction lines showing /charcoal — smudged black on toothy paper /soft pastel — chalk, powdery edges /linocut — carved block print, bold and rough /woodblock — flat colour and outline, ukiyo-e /etching — fine engraved lines /collage — cut paper and torn edges assembled /vector flat — clean shapes, no gradients /isometric — 30-degree axonometric, no perspective /low poly — faceted geometry /claymation — plasticine with fingerprints in it /paper cut — layered cut paper with soft shadows /stained glass — leaded segments of coloured glass /mosaic — small tesserae with visible grout /embroidery — stitched thread on fabric /pixel art — visible pixels, limited palette /blueprint — white line on technical blue /technical illustration — exploded parts with leader lines /comic panel — inked with halftone shading /storyboard — rough frame with arrows and notes /concept art — painterly production design ERA & PERIOD /victorian — 1890s, formal and ornate /belle epoque — 1900s European elegance /roaring twenties — art deco geometry and gold /thirties glamour — silver screen, sculpted light /wartime forties — utility, restraint, propaganda poster /mid century — 1950s optimism, atomic shapes /sixties pop — bold flat colour and op art /seventies — warm grain, brown and mustard /eighties — chrome, gradients, laser grids /nineties — grunge, snapshot flash, ransom type /y2k — glossy metallic, bubble shapes, blue and silver /early web — pixel gradients and bevelled buttons /2010s indie — muted filter, hand lettering, kraft paper /soviet poster — constructivist red and diagonal /bauhaus — primary shapes on a grid /swiss style — grid, sans serif, huge white space /psychedelic — melting type and vibrating colour /near future — plausible, about ten years out TEXTURE & SURFACE /glossy — wet-look reflective finish /matte — no reflection, velvety /brushed metal — fine directional grain /hammered metal — dented artisan surface /frosted glass — translucent and diffused /clear glass — refractive with caustics /liquid metal — mercury, flowing chrome /marble — veined polished stone /concrete — raw board-marked cast /weathered wood — grey grain and splits /rusted — oxidised orange-brown crust /patina — aged green copper /velvet — deep pile, light-absorbing /knitted — chunky wool texture /holographic — iridescent rainbow shift /oil slick — shifting colour film on the surface /cracked — fine crazed fractures across the surface /dusty — settled dust and soft grime WEATHER, TIME & ATMOSPHERE /fog — thick atmosphere, depth fading out /mist — thin low haze at ground level /heavy rain — visible streaks and splashback /drizzle — a fine wet sheen on everything /snowfall — flakes falling, light muffled /blizzard — whiteout, near-zero visibility /storm light — dark sky with one bright break /heat haze — shimmering distorted air /dust storm — orange particulate air /humid — heavy air, condensation on surfaces /frost — ice crystals on every edge /puddles — wet ground doubling the scene /wind — hair, fabric and leaves in motion /smoke — drifting haze catching the light /steam — hot vapour rising /sunrise — cool air, the first warm light /sunset — sun on the horizon, sky burning /midnight — deep dark, artificial light only /pre dawn — pale grey before the sun /blown out noon — clipped highlights and heat PEOPLE, POSE & EXPRESSION /candid — unaware, caught mid-moment /posed portrait — deliberate, looking at camera /three quarter — body angled, face toward the lens /profile — full side view /back to camera — facing away into the scene /hands only — just hands, doing something /mid action — caught in the middle of a movement /in conversation — two people mid-exchange /group shot — several people arranged naturally /environmental portrait — a person shown in their own space /working portrait — absorbed in their craft /laughing — genuine, unposed /thinking — quiet, inward, unsmiling /determined — set jaw, direct gaze /exhausted — visibly spent /joyful — open, expansive body language /contemplative — still, looking away /eye contact — direct, holding the viewer /reflected — seen in a mirror or a window /obscured — face partly hidden by object or shadow WORLD & SETTING /city street — busy urban level, signage and people /rooftop — above the city, skyline behind /lived in room — an interior with someone's life in it /empty interior — architectural, unpeopled /industrial — factory floor, machinery, steel /laboratory — clinical white, instruments /library — shelves, warm lamps, quiet /market — stalls, produce, crowd /desert — dunes and hard light /forest — dense canopy, dappled floor /coastline — sea, rocks, salt air /mountain — altitude, thin clear air /underwater — filtered blue light and drifting particles /space — orbital, black sky and hard sun /underground — tunnels and artificial light /ruins — an overgrown abandoned structure /liminal space — an empty transitional place, unsettling /miniature set — a tiny built world, shallow focus OUTPUT & TECHNICAL /square — 1:1 /portrait 4x5 — tall, print standard /story 9x16 — full-bleed vertical /widescreen 16x9 — landscape video frame /cinemascope 21x9 — ultra-wide letterbox /poster ratio — A-series proportion with a margin /tileable — a seamlessly repeating pattern /transparent bg — subject on a clean cut-out /text safe — composition leaving room for a headline /two versions — same brief, one bold and one restrained /keep everything — change only what I name, hold the rest /describe first — write the full prompt and wait before generating

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Trace what physically happens when I ___. Not a summary — the actual chain of events in order, from the moment I act to the moment I see a result. For each step, tell me: - what physically happens: what moves, what changes state, and through what - roughly how long that step takes - whether that time is set by physics, by hardware, or by somebody's design choice Rules: - Real numbers with units. Where you're estimating, say so and give a range. - Include the boring steps. The delay usually lives in one of them. - No analogies until the very end, and then only one. Finish with the single slowest step, and whether it's slow for a reason that could ever change.

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Make me a ___ graphic. Before you generate anything: I'm going to pull this image apart into editable layers afterwards, so it has to come out separable. Follow these constraints. - Flat, graphic, illustrated style. No photographic depth of field, no film grain, no textured overlay across the whole frame. - Every piece of text sits on its own solid or simple area of background. Never text over busy detail. - Strong contrast between the text and whatever is directly behind it. - The background is a plain field or a simple shape — not a scene the subject is embedded in. - Foreground objects must not overlap the text. - Real words, spelled correctly, in a plain sans-serif. No script, no decorative lettering, no fake-looking type. Ask me for the headline, the subheading and any small print before you start — don't invent the copy. Then generate one image at 1080x1350.

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DeepSeek Harness is an open-source agent harness where every part is a swappable plugin: the model, the tools, the memory, the sandbox, the UI, even the agent loop itself. Before I install anything, help me work out whether I'd actually change any of it. Here's what I use AI coding agents for today: ___ Here's the thing that annoys me about the one I use: ___ Ask me 4 questions, one at a time, to fill in whatever I've left vague. Then give me: 1. A table of the swappable pieces — model, tools, memory/context, sandbox, agent loop, UI. For each: what I'm effectively running today, and whether the annoyance I named actually lives in that piece. Be blunt where it doesn't. 2. The ONE piece worth swapping first, and what would have to be true for the swap to pay off. 3. What I'd give up. Every locked-down tool is locked down in exchange for something — name what I'd be trading away. 4. A throwaway trial I could run in an afternoon: what to install, which real task to give it, and the specific observable thing that would tell me it's better or worse. Not "see how it feels". Then stop. Don't write any config.

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Here's what I do: ___ A vertical farm outside Phoenix didn't automate farming by building a better tractor. It moved the plants into a warehouse storage system that was already automated, for a completely different industry — and got lettuce in 15 days. Do that thinking for my work. 1. Break what I do into 6-10 steps, in the order they actually happen. 2. For each step, say whether the hard part is JUDGEMENT or LOGISTICS — the moving, sorting, chasing, formatting, waiting, re-typing. 3. Take the three biggest logistics steps. For each, name an industry that already solved that exact shape of problem, and what its solved version is called. 4. For each of those three, tell me what my work would have to change into for that solution to fit — and be specific about what I'd be giving up. 5. Finish with the one that's actually possible for me this month, and the first thing I'd do on Monday. Don't suggest an AI tool for any step where the hard part is judgement.

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Here's a story I've written: ___ Audit its STRUCTURE, not its prose. Ignore vocabulary, sentence length and punctuation entirely — I don't want notes on word choice. Check it against the patterns that separate AI fiction from human fiction: 1. Does the narrator state the theme outright, or does the reader have to work it out? Quote the line if it's stated. 2. Is the plot a straight line, or does anything run alongside it? 3. How many characters actually change over the story? How many are only ever described from the outside? 4. Does tension escalate, or stay level? Mark the highest-tension moment. 5. Does the ending resolve everything? Name what's left open. 6. Is emotion named plainly ("she felt afraid") or rendered as something happening in the body? For each one, tell me which side of the line I'm on and quote the evidence. Then give me the three structural changes that would matter most — not rewrites of sentences.

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I've attached two reports on ___: a technical SEO audit, and an AI visibility report showing whether ChatGPT, Claude, Gemini and AI Overviews currently recommend us. Read both, then give me ONE ordered fix list. For each fix: - What to change, specifically enough that I could do it today - Which report flagged it, and what it actually costs me to leave broken - Whether it helps Google ranking, AI recommendation, or both - Roughly how long it takes, and whether it needs a developer Order by impact per hour of work, not by severity score. Put anything only a developer can do in a separate list at the bottom. Then tell me the single item that would change the most, and what on the list I should ignore entirely.

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When I send a message starting with a forward slash, treat it as a shortcode for a food image brief. Interpret the code, expand it into a full image prompt with lighting, camera angle, styling and mood, apply it to whatever food or drink I've described or uploaded, and generate the image. Don't ask me to confirm — just build it. Case doesn't matter. If I add words after the code, treat those as overrides. FROM THE VIDEO /Magazine Cover — turn it into a magazine cover /Product Explosion — explode every ingredient /Ad Creative — a polished product ad /Museum Display — drop it in a gallery exhibit /Retro Ad — vintage ad energy /Menu Board — a full fast-food menu campaign /Fire Grill — flames and smoky grill vibes /Hero Shot — the premium product shot /Times Square Ad — put it on a giant billboard /Delivery Ad — a food delivery campaign /Miniature World — build a tiny world around it /Pop Art — bold, loud, unmissable STUDIO & HERO /Clean Studio — white seamless, soft even light, catalogue standard /Dark Studio — black gloss surface, one hard light, deep shadow /Gradient Backdrop — soft two-tone gradient behind the food /Floating Hero — suspended mid-air with a soft contact shadow /Levitation Stack — layers separated and hovering in a vertical column /Spin Plate — shot as if mid-rotation on a turntable /Low Hero — low three-quarter angle, food towering over the camera /Overhead Flat Lay — directly overhead, everything squared to the frame /Rule Of Thirds — food off-centre with generous negative space for copy /Mirror Base — polished reflective surface with a clean symmetrical reflection /Marble Slab — cold white marble, soft window light /Slate Board — dark slate, moody side light, rustic edges /Butcher Paper — laid on kraft paper with grease marks /Wire Rack — cooling rack with crumbs falling through /Glass Pedestal — raised on glass under gallery lighting /Spotlight Drop — single overhead spot, everything else in darkness /Rim Light — bright edge light separating the food from a dark background /Backlit Glow — lit from behind so steam and edges glow /Window Light — soft daylight through a kitchen window, gentle falloff /Candle Lit — warm low candlelight, intimate and dim /Neon Wash — magenta and cyan neon washing across the surface /Colour Block — bold flat two-tone background, graphic and modern /Shadow Play — hard palm or blind shadows striping the frame /Paper Set — built inside a layered cut-paper scene HEAT, SMOKE & COOKING /Flame Kiss — live flame licking the edge, caught mid-flare /Smoke Curl — thin smoke curling up through a dark frame /Steam Rise — hot steam rising, moody kitchen backdrop /Char Marks — fresh grill marks searing into the surface /Sizzle Pan — mid-sizzle in a hot pan, oil jumping /Wok Toss — food mid-air above a wok, flame underneath /Deep Fry — the moment it hits the oil, bubbles exploding /Oven Pull — pulled from the oven, tray still glowing hot /Cheese Pull — a long stretch of melted cheese mid-lift /Butter Melt — butter sliding and pooling as it melts /Sauce Drizzle — sauce pouring in a slow ribbon from above /Glaze Coat — glossy glaze catching the light as it coats /Smoker Haze — thick barbecue smoke filling the background /Coal Glow — embers glowing red beneath the grill bars /Torch Finish — a blowtorch caramelising the top edge /Steam Cabinet — condensation and steam on glass, food behind /Boil Over — bubbling liquid at the moment it rises /Cast Iron — served in a blackened cast iron skillet INGREDIENTS & DECONSTRUCTION /Exploded Layers — every layer separated and floating in order /Cross Section — cut clean through, showing the inside /Ingredient Halo — components arranged in a ring around the hero /Knolling Kitchen — every ingredient laid out in a neat parallel grid /Build Sequence — the same item shown at four stages of assembly /Falling Ingredients — components dropping into frame, frozen mid-air /Split Shot — half raw ingredients, half finished dish /Bite Taken — one bite missing, filling visible /Pull Apart — torn in two with a stretch between the halves /Stack Tower — an impossibly tall stack, perfectly aligned /Deconstructed Plate — fine-dining scatter of separated elements /Origin Trio — the dish plus the three raw things it came from /Ingredient Portrait — one hero ingredient shot like a still life /Weighed Out — ingredients portioned on scales and in bowls /Recipe Overhead — every measured component labelled from above /Layer Diagram — labelled cutaway explaining what's inside /Sauce Swipe — a clean spoon swipe of sauce beside the food /Garnish Drop — herbs falling and settling on top FRESHNESS & SOURCING /Farm Table — on rough wood with soil-dusted produce /Market Stall — surrounded by crates at a produce market /Morning Harvest — dew-covered ingredients in early light /Herb Garden — growing herbs framing the shot /Water Drops — cold beads of condensation on the surface /Ice Bed — nestled in crushed ice with visible chill /Just Picked — held in hands, still with stalks and leaves /Wooden Crate — packed in a rustic delivery crate /Field Backdrop — the field it was grown in, softly out of focus /Fisherman Catch — fresh catch on ice with nets behind /Bakery Morning — flour dust in the air, dawn light, proving baskets /Dairy Fresh — cool blues and whites, milk splash, clean surfaces /Orchard Light — dappled light through fruit trees /Root To Plate — the whole plant beside the finished dish /Grain Sack — spilling from an open hessian sack /Cold Chain — frosted packaging straight from the freezer PRINT & POSTER /Magazine Spread — full double-page editorial with pull quote /Food Cover — glossy food-magazine cover with cover lines /Movie Poster — cinematic one-sheet with billing block /Gig Poster — screen-printed, limited palette, loud type /Newspaper Ad — halftone black and white classified-page ad /Broadsheet Feature — restrained editorial layout, serif headline /Recipe Card — printed recipe card with the dish photographed above /Cookbook Page — cookbook spread with method text beside the shot /Zine Page — cut-and-paste photocopied zine aesthetic /Letterpress — deep impression on thick cotton paper /Risograph — two-colour riso print with visible misregistration /Stamp Design — postage stamp with perforated edge /Ticket Stub — designed as a torn event ticket /Postcard Front — holiday postcard with a place name /Book Jacket — hardback dust jacket with spine and flap /Manifesto Poster — dense typographic poster, food as the only image /Field Guide — illustrated botanical-style plate with labels /Vinyl Sleeve — album cover treatment, square crop OUT-OF-HOME & BILLBOARD /Highway Billboard — huge roadside board shot from a passing car /Bus Shelter — backlit six-sheet in a city bus stop /Subway Poster — tiled underground platform, train blurring past /Building Wrap — the whole side of a tower covered /3D Anamorphic — the food appearing to burst out of a curved corner screen /Projection Mapping — projected across a building facade at night /Truck Wrap — a delivery truck liveried and moving /Shop Window — vinyl window graphic with the street reflected /Airport Lightbox — lit panel in a terminal walkway /Stadium Screen — on the big screen above a packed crowd /Taxi Top — illuminated cab-top sign at night in traffic /Scaffold Banner — mesh banner across construction scaffolding /Rooftop Sign — classic lit rooftop sign against dusk sky /Sandwich Board — hand-lettered pavement board outside a shop /Metro Escalator — a run of panels along an escalator wall /Drone Swarm — drawn in the night sky by a drone light show PACKAGING & BRANDING /Box Mockup — branded takeaway box, clean studio render /Bag Design — paper carry bag with handles and full artwork /Cup Design — branded cup with sleeve and lid /Label Wrap — bottle or jar label shown flat and applied /Wrapper Art — printed foil or paper wrapper, half unwrapped /Tin Design — retro printed tin with embossed lid /Pouch Stand — stand-up pouch with matte finish and window /Tray Set — full meal-deal tray with branded liner /Brand Board — logo, palette, type and photography on one sheet /Type Specimen — the wordmark shown large with its type family /Sticker Sheet — a sheet of die-cut brand stickers /Napkin Print — branded napkin and cutlery wrap /Menu Design — printed menu with the dish photographed alongside /Delivery Seal — tamper seal and branded delivery packaging /Shelf Row — the product repeated in a supermarket shelf facing /Gift Set — premium boxed gift set with tissue and ribbon /Loyalty Card — stamp card design with the product on the front /Van Livery — branded van side, parked on a street RETRO & ERA /Fifties Diner — chrome, checkerboard floor, jukebox colours /Sixties Print — flat offset colour, optimistic housewife-era layout /Seventies Cookbook — muted browns and oranges, slightly off food styling /Eighties Neon — airbrushed chrome type and grid horizon /Nineties Fastfood — bright primary colours, bold outlines, clip-art energy /Y2K Chrome — liquid chrome, lens flares, translucent blue /Vintage Tin Sign — enamel advertising sign with chipped paint /Old Photograph — faded, scratched, slightly overexposed print /Polaroid Snap — instant film with a white border and date scrawl /Super 8 — grainy film still with light leaks /VHS Frame — tracking lines, timestamp, soft chroma bleed /Soviet Poster — constructivist angles, red and cream, heavy type /Art Nouveau — flowing organic border framing the food /Art Deco — symmetrical gold geometry, Gatsby-era luxury /Victorian Engraving — fine cross-hatched engraving illustration /Wartime Ration — utilitarian propaganda-poster styling /Mid Century Modern — clean shapes, muted palette, confident white space /Grunge Nineties — photocopied textures, torn edges, ransom type FINE ART & ILLUSTRATION /Oil Painting — thick impasto still life in old-master lighting /Dutch Still Life — dark background, dramatic light, abundant table /Watercolour — loose washes with the paper showing through /Ink Sketch — confident pen linework with minimal shading /Charcoal Study — smudged monochrome tonal drawing /Gouache Poster — flat matte painted shapes, poster-like /Line Art — single continuous line describing the whole subject /Woodcut — bold carved block print, high contrast /Stained Glass — leaded coloured glass panel with light behind /Mosaic Tile — built from small ceramic tiles /Papercut Layers — layered paper shadow box with depth /Embroidery — stitched onto fabric with visible thread texture /Claymation — hand-modelled clay version with fingerprints /Isometric Scene — clean isometric diorama of the whole setup /Low Poly — faceted geometric 3D render /Blueprint — technical drawing with dimensions and annotations SEASONAL & OCCASION /Christmas Table — pine, candles, warm red and gold /Halloween Dark — moody orange and black with fog /Easter Pastel — soft spring pastels and fresh flowers /Summer BBQ — bright midday sun, garden table, cold drinks /Autumn Harvest — russet leaves, warm low sun, rustic wood /Winter Warmer — knitted textures, frosted window, steam /Valentines Red — deep reds, soft focus, two settings /Lunar New Year — red and gold, blossom, celebratory abundance /Diwali Lights — oil lamps, marigolds, warm glow /Ramadan Table — dates and lanterns, evening light /Birthday Party — candles, confetti, bright celebration /Game Day — sharing platters, team colours, big screen behind /Picnic Blanket — checked blanket, grass, basket, dappled light /Back To School — lunchbox flat lay, notebook and pencils /New Year Gold — champagne tones, sparkle, midnight palette /Mothers Day — soft florals, gentle light, delicate plating SOCIAL-NATIVE /Reel Cover — vertical thumbnail with bold readable text /Story Frame — nine-sixteen with room for stickers at top and bottom /Carousel Set — a matched set of square frames that continue across /Grid Triptych — one image split across three feed squares /Before After — the same dish before and after, split down the middle /Recipe Reel — overhead step frames in a vertical strip /Quote Card — a short line of copy over a soft-focus food shot /Stat Card — one number pulled out large beside the product /Comment Bait — a deliberate this-or-that comparison shot /Duet Frame — left half empty for a reaction video /Thumbnail Face — food plus an exaggerated reaction expression /Unboxing Frame — first-person view opening the packaging /Phone In Hand — the ad shown on a phone held in a real setting /Meme Format — food dropped into a recognisable meme layout /Countdown Post — a numbered ranking frame, top spot revealed /Sticker Pack — cut-out food stickers with white borders /Poll Frame — two options side by side ready for a poll sticker /Ugc Style — deliberately casual, phone-shot, real-table energy MENU & RESTAURANT /Menu Hero — the single dish shot that anchors a menu page /Combo Deal — a full meal deal grouped with a price flash /Price Flash — the product with a bold discount burst /Limited Edition — a special-release badge and premium styling /New Item — a launch frame with a "new" flag /Chalkboard Special — hand-lettered chalk board beside the plate /Table Setting — plated and styled on a full restaurant table /Chef Plating — hands finishing the plate mid-service /Kitchen Pass — under the heat lamps at the service pass /Open Kitchen — the dish with a working kitchen blurred behind /Counter Display — in a lit glass display case /Takeaway Row — a row of boxed meals ready for collection /Loyalty Offer — a repeat-visit offer laid over the dish /Catering Spread — a long table of platters for events DRINKS /Pour Shot — mid-pour with the liquid arcing into the glass /Ice Clink — ice dropping into the glass, splash frozen /Condensation — a cold glass beaded with moisture /Latte Art — top-down on a finished pour with detailed foam /Coffee Bloom — the bloom rising in a pour-over /Cocktail Garnish — a garnish being placed, bar tools in shot /Layered Drink — visible density layers in a clear glass /Bubble Rise — carbonation rising through the liquid /Smoothie Splash — thick liquid mid-splash against a bright backdrop /Wine Swirl — mid-swirl in a glass, deep colour against light /Beer Head — a fresh head settling on a cold pour /Tea Steep — colour blooming through hot water /Milk Swirl — milk folding into a dark drink /Cheers Clink — two glasses meeting, splash caught /Bottle Sweat — a chilled bottle with a cold-sweat sheen /Juice Squeeze — fruit being squeezed straight into the glass SURREAL & MINIATURE /Tiny People — miniature figures working on a giant portion /Giant Portion — the food scaled up against a real street /Food Landscape — the dish styled as mountains and rivers /Floating Island — the food on a rock island in open sky /Zero Gravity — everything drifting weightless in the frame /Impossible Balance — an unlikely stack defying physics /Portal Frame — the food emerging through a hole in the image /Inside Out — the interior scaled up as an environment /Split Universe — half realistic, half stylised down the centre /Optical Illusion — the food arranged as another object entirely /Escher Table — impossible geometry in the table setting /Cloud Serve — served on a cloud in daylight sky /Underwater — fully submerged with bubbles and caustic light /Space Diner — the dish floating with a planet behind it /Doll House — set inside a miniature dolls-house kitchen /Origami Set — the whole scene folded from paper LIFESTYLE & PEOPLE /In Hand — held in a real hand, natural light, casual crop /First Bite — the moment of biting in, genuine reaction /Family Table — a shared meal, several hands reaching in /Street Eat — eaten standing on a busy street /Desk Lunch — at a working desk between tasks /Car Window — passed through a car window at a drive-through /Kids Table — bright, playful, child-height perspective /Date Night — two settings, low light, intimate crop /Friends Sharing — a group platter mid-conversation /Delivery Doorstep — handed over at a front door /Chef Portrait — the maker photographed with their dish /Market Trader — a vendor with their own product /Late Night — the after-hours meal, neon and empty streets /Morning Rush — coffee and pastry taken on the move TEXTURE & MACRO /Macro Crumb — extreme close-up on crumb structure /Crispy Edge — the fried or baked edge in sharp detail /Melt Detail — the exact point where something is melting /Sugar Frost — a dusting of sugar or salt caught in the light /Grain Detail — the surface texture of bread or pastry /Juice Bead — a single bead of juice about to fall /Fibre Pull — pulled meat or fruit showing its fibres /Bubble Skin — the blistered surface of a crust /Powder Cloud — cocoa or flour caught mid-air as it falls /Cut Face — the clean face of a knife cut, still glistening /Seed Detail — seeds and flecks shown at high magnification /Salt Crystal — coarse crystals scattered across a surface

Do this yourself

Here's what I currently pay for: ___. For each one, find me the best free alternative a solo user can actually run. Give me, per tool: - The free option, and who makes it - What you give up against the paid version — the specific limit (how many generations, what resolution, which models), not "fewer features" - Whether the free tier is genuinely free or a trial that expires - The one job it does better than the paid tool, if there is one Sort the answer by what the tools are FOR, not by name. If something I pay for has no real free equivalent, say so plainly instead of padding the list. Last: flag anything you're not confident is still accurate. I'd rather check three than trust twenty.

Do this yourself

I'm building a landing page for ___. The one thing a visitor should do is ___. Before I go shopping in a component library, plan the page. Give me: 1. The sections, in order, and what each one has to prove. No more than six. 2. For each section, the ONE interaction worth animating — and say plainly if the answer is none. 3. The three places motion would actively hurt: where it delays the thing someone came to read or click. Rules: every animation has to earn its place by making something clearer, not by being impressive. Assume the visitor is on a phone, on data, and half-interested. Then give me a shopping list: the component type I need for each section, described generically enough that I can match it against any library.

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PROMPT A hand enters from the right edge of frame and pinches the bottom-right corner of the image on the screen. The on-screen picture behaves like a thin flexible film. The hand peels it up and across the screen in one smooth continuous motion, the sheet curling naturally with a soft highlight running along the curve and a soft shadow falling on the surface beneath. Behind the peeled layer, the screen is revealed as black glass with faint room reflections. The device, desk and background remain completely still. Locked-off camera, no zoom, no pan. Photorealistic, natural lighting, smooth realistic physics. NEGATIVE PROMPT warped device, bending screen, distorted hands, extra fingers, camera shake, zoom, text morphing, blur

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You're my creative director for a premium product ad. I've attached a plain photo of my product. Study it carefully before you write anything — the material, finish, shape, label, typography, and colours already on the packaging. Then design ONE ad concept for it and give me: 1. CONCEPT — the idea in a sentence, and who it's speaking to. 2. SCENE — the setting, surface, props, and background. Props must feel like they belong with this product, not generic stock objects. 3. PALETTE — 3-4 colours pulled from the product itself, plus one accent. Give me the actual colour names. 4. LIGHT — direction, quality (hard/soft), time of day, and where the shadows fall. 5. CAMERA — angle, lens feel, depth of field, and how the product sits in the frame. 6. HEADLINE — one short line, six words maximum. Plus a two-to-four word subline if it earns its place. Then convert all of it into a single paste-ready image prompt: one flowing paragraph, under 150 words, written as a description of the finished photograph. Specify exactly where the text sits in the frame and put the headline in quotes so it renders as written. Do not describe the product's own label — that comes from my image. Give me the prompt in a code block on its own so I can copy it. Ask me anything you need about the brand before you start.

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Build a single-page scroll-linked image sequence animation. I've given you a folder of numbered frames (frame_001.jpg through frame_XXX.jpg). Build this: - A <canvas> element pinned full-screen with position: sticky - A scroll container roughly 4x the viewport height beneath it - Preload every frame into an array of Image objects before the first paint, and show a loading state until they're all decoded - On scroll, map scroll progress through the container (0 to 1) to a frame index, and draw that frame to the canvas - Drive the redraw with requestAnimationFrame, not directly in the scroll handler - Draw the image with object-fit: cover behaviour so it fills the canvas at any viewport size, and redraw on resize - Vanilla JS, no libraries Add two text overlays that fade in at 30% and 70% scroll progress, with placeholder copy I can swap.

Do this yourself

When I send a message starting with a forward slash, treat it as a shortcode for an image brief. Interpret the code, expand it into a full image prompt with lighting, camera angle, composition and mood, apply it to whatever product I've described or uploaded, and generate the image. Don't ask me to confirm — just build it. If I add words after the code, treat those as overrides. STUDIO & PRODUCT PHOTOGRAPHY /studio white — Clean white seamless, e-commerce standard /studio black — Black gloss surface, dramatic single light /gradient studio — Soft colour gradient backdrop /floating product — Suspended mid-air with soft contact shadow /water splash — Frozen water splash hitting the product /ice bath — Submerged in ice cubes and condensation /smoke swirl — Coloured smoke curling around the product /macro detail — Extreme close-up on texture and material /exploded view — Components separated into mid-air layers /cross section — Cutaway revealing the inside /hero angle — Low three-quarter hero shot, dramatic scale /top down — Flat lay directly overhead on textured surface /knolling — Every part arranged in a neat parallel grid /pedestal — On a stone plinth under gallery lighting /mirror floor — Reflective black floor, symmetrical reflection /glass shelf — Floating glass shelf with backlight /silk drape — Flowing fabric wrapped around the product /sand dune — Half-buried in rippled sand, hard sunlight /wet glass — Behind rain-covered glass, shallow focus /neon rim — Neon rim lighting against darkness /golden hour studio — Warm low sun through window blinds /hard shadow — Palm-leaf shadow pattern across the frame /colour block — Bold two-tone geometric background /paper craft — Set into a layered cut-paper scene /levitation stack — Multiple units stacked impossibly /pour shot — Liquid pouring around or into the product /steam rise — Hot steam rising, moody dark kitchen light /frozen block — Encased in a clear block of ice /dust burst — Powder burst frozen mid-air around it /spotlight cone — Single hard spotlight in a dark space ADVERTISING FORMATS /meta ad — Meta feed ad with headline and CTA /google display — Banner set in standard display sizes /tiktok ad — Vertical native-looking TikTok ad frame /youtube thumbnail — High-CTR thumbnail with face and text /pinterest pin — Tall pin with text overlay /linkedin ad — Professional B2B ad card /carousel ad — Multi-frame carousel with sequential message /story ad — Full-bleed vertical story with sticker CTA /before after — Split-frame transformation ad /problem solution — Two-panel pain vs relief layout /testimonial card — Quote card with customer photo and stars /ugc style — Casual phone-shot creator-style ad /unboxing frame — Hands opening the box, POV /comparison chart — Us vs them feature grid /price anchor — Crossed-out price with offer badge /limited offer — Countdown urgency banner /bundle deal — Multiple products grouped with save badge /free shipping — Shipping-offer promo banner /founder message — Founder-to-camera style ad card /social proof wall — Grid of reviews and screenshots /press logos — As-seen-in logo strip /guarantee badge — Money-back guarantee visual /feature callout — Product with annotated leader lines /spec sheet — Clean technical specification layout /how it works — Three-step visual explainer /objection handler — Myth vs fact card /seasonal promo — Holiday-themed campaign visual /flash sale — Bold high-contrast sale creative /retargeting ad — Reminder ad with cart imagery /launch announcement — "It's here" reveal creative OUT-OF-HOME & ENVIRONMENT /3d billboard — Anamorphic 3D billboard mockup /times square — Times Square screen takeover /bus stop — Backlit bus shelter poster /subway poster — Tiled subway station ad wall /metro wrap — Full train carriage wrap /bus wrap — City bus side wrap /taxi top — Taxi roof display /airport banner — Large terminal hanging banner /mall atrium — Mall centre hanging display /stadium board — Pitch-side LED board /highway board — Roadside billboard at dusk /building wrap — Full skyscraper facade wrap /scaffold banner — Construction scaffold mesh banner /shop window — Retail window vinyl display /storefront sign — Illuminated shopfront signage /sidewalk decal — Pavement floor graphic /elevator wrap — Elevator door wrap /vending machine — Fully branded vending machine /kiosk stand — Mall pop-up kiosk /pop up shop — Full pop-up retail space /trade booth — Exhibition stand mockup /food truck — Branded food truck /brand balloon — Brand-shaped hot air balloon /projection mapping — Logo projected on a building at night /drone show — Drone light show forming the logo PRINT & EDITORIAL /newspaper ad — Full-page newspaper ad mockup /magazine spread — Glossy double-page editorial /magazine cover — Cover with masthead and cover lines /fashion cover — High-fashion cover treatment /news cover — News-magazine cover layout /tabloid front — Bold tabloid front page /classified ad — Small classified column ad /flyer — A5 promotional flyer /brochure trifold — Trifold brochure spread /catalog page — Product catalogue grid page /menu design — Restaurant menu layout /gig poster — Grunge-type gig poster /movie poster — Cinematic one-sheet /book cover — Hardback book jacket /zine page — Photocopied zine aesthetic /postcard — Vintage travel postcard /stamp — Postage stamp with perforated edge /ticket stub — Event ticket design /invoice mock — Branded invoice document /press ad retro — Mid-century press advert PACKAGING & BRANDING /box mockup — Printed carton on white /pouch mockup — Stand-up foil pouch /bottle label — Bottle with wraparound label /can design — Aluminium can render /jar label — Glass jar with label and lid /tube packaging — Cosmetic squeeze tube /shipping box — Branded mailer box /tissue wrap — Wrapped in branded tissue and stickers /shopping bag — Paper bag with handles /label sheet — Sticker sheet layout /brand board — Logo, palette and type on one board /logo grid — Logo lockup variations /colour palette — Palette swatch card /type specimen — Typography specimen sheet /business card — Card front and back /letterhead — Full stationery set /uniform mockup — Staff apparel with logo /tote bag — Canvas tote print /mug mockup — Branded ceramic mug /brand guidelines — Style guide page spread LIFESTYLE & CONTEXT /premium showcase — Luxury styled hero setup /in hand — Held in hand, natural light /desk setup — Styled on a work desk /kitchen counter — Kitchen lifestyle scene /bathroom shelf — Bathroom vanity scene /gym scene — Gym environment action shot /cafe table — Cafe table lifestyle /car interior — In-car use scene /travel bag — Packed in luggage, flat lay /beach scene — Beach lifestyle shot /hiking trail — Outdoor adventure context /office meeting — Corporate use scene /home living — Cosy living room scene /bedroom night — Night-time bedside scene /street style — Urban street lifestyle /picnic spread — Outdoor picnic flat lay /festival crowd — Festival environment /pet scene — With a pet in frame /kids play — Child-safe play environment /family dinner — Family table scene /morning routine — Morning ritual sequence /nightstand — Bedside table styling /gift moment — Wrapped and being gifted /shelf styling — Styled on a home shelf /bag spill — Bag contents arranged neatly 3D & CGI /claymation — Clay-model stop-motion look /isometric — Isometric 3D diorama /lowpoly — Low-poly stylised render /wireframe — Wireframe technical render /blueprint — Blueprint schematic /xray — X-ray transparent view /liquid metal — Chrome liquid morph /inflatable — Inflatable balloon version /brick build — Construction-toy brick version /miniature world — Tiny diorama world /paper cut 3d — Layered papercraft depth /glass render — Frosted glass material /holographic — Iridescent holographic finish /particle burst — Forming out of particles /voxel — Voxel cube art style /soft body — Squishy soft-body render /turntable — Turntable rotation frames /exploded 3d — 3D exploded assembly /scale figure — Collectible figurine version /capsule toy — Gachapon capsule toy version SOCIAL-NATIVE FORMATS /reel cover — Reels cover frame with title /carousel slide — Swipe carousel slide template /quote card — Quotable text card /stat card — Single statistic visual /meme format — Meme-style branded post /tweet card — Stylised tweet screenshot /chat screenshot — Messaging conversation mockup /poll sticker — Story poll graphic /countdown story — Countdown story frame /behind scenes — BTS candid frame /day in life — Day-in-the-life photo strip /tips carousel — Numbered tips slide set /myth buster — Myth vs truth slide /checklist post — Checklist graphic /thread header — Thread cover image /podcast cover — Podcast artwork /audiogram — Waveform quote frame /live banner — Livestream overlay /pinned comment — Pinned comment graphic /link in bio — Bio-link landing card E-COMMERCE & CONVERSION /amazon main — White-background main listing image /listing infographic — Feature-annotated listing image /size chart — Sizing guide graphic /whats in box — Contents laid out /variant grid — Colourway grid /lifestyle listing — Lifestyle listing slot image /review overlay — Image with star-rating overlay /compare us — Comparison listing image /care instructions — Care guide graphic /ingredient list — Ingredients visual /cert badges — Certification and compliance badges /hero banner — Website hero section /collection banner — Category page banner /email header — Email campaign header /abandoned cart — Cart-recovery email visual /thank you card — Insert card design /loyalty card — Loyalty programme card /gift card — Gift card design /qr insert — QR code insert card /warranty card — Warranty registration card RETRO & ERA STYLES /vintage 50s — 1950s advertising illustration /retro 70s — Warm-tone 70s print ad /80s neon — Neon synthwave treatment /90s grunge — 90s zine grunge collage /y2k chrome — Y2K chrome and bubble type /art deco — Art deco geometric poster /bauhaus — Bauhaus primary shapes /swiss grid — Swiss international typographic style /constructivist — Constructivist poster style /park poster — WPA-style national park travel poster /pulp cover — Pulp paperback cover /victorian — Victorian ornamental engraving /woodblock — Japanese woodblock print style /pop art — Pop art panel treatment /psychedelic — 60s psychedelic swirl poster /noir — Black and white film noir /polaroid — Instant photo with white border /vhs — VHS scanlines and degradation /newsprint halftone — Halftone newsprint texture /patent drawing — Retro patent illustration SURREAL SCROLL-STOPPERS /giant product — Building-scale in a city street /tiny people — Miniature people interacting with it /floating island — Product on a floating island /underwater — Fully submerged underwater scene /orbit — In orbit above Earth /desert mirage — Surreal desert scene /cloud sculpture — Formed out of clouds /food art — Built from food materials /nature grown — Growing out of plants /ice sculpture — Carved from ice /sand sculpture — Carved from sand /origami — Folded paper version /knitted — Knitted yarn version /neon sign — Rendered as a neon sign /graffiti mural — Spray-painted wall mural /latte art — Rendered in latte foam /shadow play — Implied only by its shadow /optical illusion — Impossible geometry version /melting — Surreal melting version /kaleidoscope — Mirrored kaleidoscopic pattern BUSINESS & UTILITY /pitch slide — Investor pitch slide /one pager — Product one-pager /pricing table — Pricing tier table /roadmap visual — Product roadmap graphic /org chart — Team structure chart /process flow — Step-by-step flow diagram /customer journey — Journey map graphic /persona card — User persona card /swot grid — SWOT analysis grid /funnel diagram — Marketing funnel /timeline — Milestone timeline /case study layout — Case study page /report cover — Annual report cover /certificate — Award certificate design /name badge — Event name badge /wayfinding — Wayfinding sign system /app screenshots — App store listing screenshots /web wireframe — Landing page wireframe /dashboard mockup — SaaS dashboard UI /deck template — Presentation template slides

Do this yourself

I want to run MiniMax H3 locally. The builds are: - Official full-precision weights — about 123.6GB (huggingface.co/MiniMaxAI/MiniMax-H3) - ComfyUI INT8 repack — about 42.5GB, needs ComfyUI 0.30.0 or newer (huggingface.co/Comfy-Org/MiniMax-H3) - Community INT4 / NVFP4 / INT8 pack — smaller again, aimed at lower-VRAM cards My setup: GPU ___, VRAM ___GB, OS ___, and I'm based in ___. Tell me which one to download and why, what I give up at that size, and roughly how long a short clip will take on my card. If none of them realistically fit, say so plainly and tell me what the hosted option would cost me instead — don't talk me into a download that won't run. Work only from the list above. If you're not sure of something, say you're not sure rather than filling it in from memory.

Do this yourself

I have yt-dlp and ffmpeg installed. I want to ___ Give me one command that does it. Then, underneath, explain each flag in a short line, so I could change it next time without asking you again. If the job genuinely needs two commands, say so rather than cramming it into one. And if what I've asked for won't work — wrong tool for it, or the source won't allow it — tell me that instead of handing me a command that fails.

Do this yourself

Here's a product claim: ___ Find the best independent research on how well this task can actually be done — not the company's own numbers, and not press coverage repeating them. Then tell me: - what the published ceiling is, and who established it - where this claim sits against that ceiling - whether any gap is explained by a real advance or by how the number was measured - whether there is a peer-reviewed study behind the claim at all If the claim sits above what independent work has managed and nothing published backs it, say so plainly. If it holds up, say that just as plainly — don't manufacture a problem.

Do this yourself

You have access to Blender through MCP. Model the MEP for a hotel floorplate — 4.2m floor-to-floor, 2.7m ceiling, so 1.5m of void to route through. Four collections: HVAC, plumbing, electrical, fire suppression. Fire suppression gets elevation priority, everything else routes below. 100mm clearance minimum. Build ONE room module first and stop — don't repeat it across the floor until I've checked it.

Do this yourself

Save this as a shorthand we both use. When one of these codes appears in my message, apply it to your answer without mentioning the code back to me. If several appear, apply all of them. If I use a code that isn't on this list, ask what I mean rather than guessing. DEPTH & REASONING L99 — answer at expert level, no hedging ULTRATHINK — use maximum reasoning (Claude Code only) /deep — reason through every layer, show the work /firstprinciples — strip assumptions, rebuild from basics /steelman — give the strongest version of the other side /tradeoffs — name what each option costs /confidence — tag every claim with how certain you are /unknowns — what you'd need to know to be sure /secondorder — what happens after what happens /basecase — the boring likely outcome /disagree — argue against my conclusion /simplify — the simplest explanation that still fits CHALLENGE & PRESSURE-TEST /skeptic — challenge the premise first /crit — critique as a hostile reviewer /blindspots — what am I not seeing /premortem — it's a year later and this failed, why /redteam — attack this plan /devil — argue the opposite, hard /wrongquestion — am I even asking the right thing /assumptions — surface every unstated one /falsify — what would prove this wrong /overrated — which part of this is hype /truecost — the all-in cost, including time /nofluff — no encouragement, just the assessment WRITING & VOICE /ghost — strip the AI tells /raw — no markdown, plain text /punch — short sentences, high impact /trim — cut 40%, keep the meaning /hook — ten opening lines, nothing else /voice — match the sample I pasted /human — contractions, fragments, uneven rhythm /noemdash — kill the em-dashes /plain — 8th-grade reading level /spoken — written to be read aloud /caption — Instagram caption format /thread — X thread, one idea per post /rewrite3 — three versions, three angles /cta — five call-to-action variants COMPRESSION & FORMAT /tldr — three lines max /bullets — bullets only /table — comparison table /oneline — one sentence, that's it /eli5 — explain to a smart 12-year-old /steps — numbered steps, no commentary /checklist — turn this into a checklist /template — strip specifics, leave reusable structure /script — turn into a spoken video script /email — tighten into a sendable email /slides — slide-by-slide outline /brief — one-page brief DECISION-MAKING OODA — observe, orient, decide, act /decide — pick one and defend it /verdict — both sides, then commit /reversible — is this a one-way door /101010 — how this feels in 10 minutes, 10 months, 10 years /opportunity — what I give up by choosing this /prioritise — rank by impact vs effort /eisenhower — urgent/important grid /worstcase — model the downside honestly /bet — what would you actually put money on /timeline — map this to real dates /killcriteria — what would make me stop BUSINESS & STRATEGY SCAFFOLD — break into a full action plan /moat — what's genuinely defensible /icp — define the ideal customer sharply /offer — rewrite the offer to be irresistible /pricing — three models with reasoning /positioning — one-sentence positioning statement /objections — top five and how to answer them /competitor — how a rival would beat me /uniteconomics — model the per-customer maths /gtm — go-to-market on one page /leverage — highest-leverage move this week /scale — what breaks at 10x BUILDING & TECHNICAL /prd — turn this into a product spec /mvp — smallest version that tests the idea /stack — recommend a stack and commit /debug — hypotheses before touching code /refactor — improve without changing behaviour /tests — write the tests first /attacksurface — where this gets exploited /edge — edge cases I haven't handled /walkthrough — this code, line by line /migrate — staged migration plan /perf — where the bottlenecks are /naming — better names for all of these LEARNING & EXPLAINING /feynman — explain it, then find where the explanation breaks /analogy — three analogies from three fields /quiz — test me on this /gaps — what's missing in my understanding /roadmap — zero to competent, sequenced /prereq — what I need to know first /misconceptions — what most people get wrong /origin — how we got here /expert — how a specialist frames this /versus — how this differs from the thing I know /worked — one fully worked example /drills — practice to actually get good /90day — 90-day plan to learn it /teach — explain it as if I teach it tomorrow

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I want a CLAUDE.md for this project that you'll actually use every session. Ask me one question at a time, and wait for each answer before the next: what this project is, who it's for, how I work, the conventions you must follow, and what has gone wrong before that you should never repeat. Then write the file. Rules: - Under 50 lines. A long one gets skimmed, including by you. - Every line has to change what you'd do. Delete anything that only describes. - Write conventions as instructions, not observations — "use X", not "the project uses X". - End with a short list of things to never do.

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/handwritten You are a brilliant tutor who explains things the way a smart older sibling would. Read the attached textbook page. Then create an image of a page of handwritten study notes that teaches the SAME content, rewritten so a 10-year-old could follow it. Rules for the writing: - Plain words. If a technical term is essential, keep it and define it in brackets. - Short lines. No paragraph is longer than two sentences. - Open with a one-line "the whole idea in a sentence" summary at the top. - Use a real-world comparison for the hardest concept on the page. - End with 3 quick-check questions and their answers. Rules for the look: - Neat handwriting on lined or grid paper, slight imperfections, like a real student wrote it. - Blue or black ink for the body, one highlighter colour for key terms only. - Simple arrows, boxes and underlines to show what connects to what. - Small hand-drawn doodles in the margin for the key ideas. - Everything legible. Readability beats decoration. My question about this page: ___

Do this yourself

Here's a news story: ___. Give me the 3 things being glossed over — a caveat buried in the method, a number doing all the heavy lifting, or a comparison that isn't like-for-like. For each, say plainly whether it changes the headline or not. Don't be contrarian for its own sake; if the story holds up, say so.